At the Copa...

When I recently read the book "Dean and Me: A Love Story" by Jerry Lewis, I noticed that spoke highly of their days performing at New York's Copacabana Club. Between 1946 and 1956, no one was bigger in show business than Jerry Lewis and Dean Martin. Their final performance together was at the club in 1956.

In May of 1964, Sammy Davis Jr. broke all attendance records at the club.

The club opened in 1940 in Manhattan, at 10 East 60th Street. Although his name was not on the lease, a partner in the club was powerful mob boss Frank Costello. It remained at the 60th Street location for over 50 years. In 1992, it moved to 57th Street. In 2001, it moved to 34th Street. Since 2011, the Copa has been located in Times Square on 47th Street.

The 1978 song "Copacabana" by Barry Manilow reignited interest in the club. A 1947 film of the same name starred Groucho Marx and Carmen Miranda. It has been a setting for many well known more recent films, such as Good Fellas, Raging Bull, The Purple Rose of Cairo and Carlito's Way.

Many famous recordings were taped there such as "Sam Cooke at the Copa" and "The Supremes at the Copa".

*Some information from en.wikipedia.org.

Film Analysis: New York Stories

This is an anthology film, broken into 3 segments. I recall liking it in college so I wanted to revisit the movie and write about it here. It was released in 1989 by Touchstone Pictures, and each segment was directed by an iconic filmmaker. It offers 3 unrelated tales with only one thing in common: the setting is The Big Apple. I have always had an obsession with New York, probably since it is the headquarters of so much that is iconic in the world of entertainment. It is the home base for Broadway, several TV networks and so many legendary films were shot in New York. Being a Woody Allen fan has made me a fan of New York also, since it is the setting for many of his films.

The first story is directed by Martin Scorsese, the genius behind Raging Bull, Taxi Driver, Casino, GoodFellas, and many more. His part of this anthology is called Life Lessons. Nick Nolte is a gruff New York City artist living in a loft apartment where he spends his days painting and listening to music. The soundtrack includes music such as "Whiter Shade of Pale" by Procol Harum and "Like a Rolling Stone" by Bob Dylan. Scorsese has used classic rock music skillfully in this film, just as he has done in many others. Nolte goes to the airport to pick up his assistant/on-and-off girlfriend played by Rosanna Arquette. Scorsese uses a slow motion technique with Nolte looking at Arquette that is reminiscent of the same shot from Taxi Driver when Robert DeNiro spots Cybill Shepherd. Nolte is obsessed with her. The alcohol, art and music are his only reliable companions. He leads a solitary life, much like the life of Travis Bickle in Taxi Driver. Nolte's character, Lionel Dobie is preparing for an art show where his work will be featured. He tells Paulette (Arquette) that he gives life lessons that are priceless to his assistants. She wants to move out but he pleads with her not to go. She wants to be an artist and asks Lionel if she is wasting her time. Scorsese takes us into the world of a painter with his close ups of the textured paint on the canvas, a paint-splattered cassette player and tight shots of the brushes. Scorsese's longtime film editor, Thelma Schoonmaker is pivotal to the visual elements of the film. A key visual scene is one where Lionel is painting frenetically, obsessed in his work, and the Bob Dylan song has the line "When you ain't got nothin', you got nothin' to lose". The shot is looking down at him, making him seem small, like he is battling against a mighty foe. Paulette's room is above the main level of the loft and there is a hole in the wall which overlooks the area where Lionel paints. She is up high, he is down low. He gazes up at her room longingly as she is up there, symbolizing that she is above him, in more ways than one. Lionel attacks Paulette's boyfriend (Steve Buscemi) in a bar. Arquette has had it and says she is moving out. She says she feels like a "human sacrifice". Dobie tells her he had been married 4 times before she was born. She has no idea how down he gets. The closing scene has Lionel at his art show where he meets another young woman who he recruits to be his assistant, just like Arquette. The cycle begins again.

The second story is the weakest by far. It's called Life without Zoe and it was directed by Francis Ford Coppola (The Godfather films, Apocalypse Now). It is about Zoe, a 12 year old rich girl who lives in the Sherry Netherland Hotel in New York. Her father is a professional flute player who performs around the world. She is cared for by the family butler Hector (Don Novello, best known for his character Father Guido Sarducci). Zoe and friends interview Abu, the new boy at school. He says he has no friends. The hotel is robbed and luckily a precious diamond earring is not stolen from Zoe's father. The earring turns out to belong to a princess who is the aunt of Abu. There is a lavish costume party for the kids and Zoe returns the earring to the princess. The story ends with Zoe and her mother watching the father perform his flute in Greece. The story and acting were poor in this portion of the film. I imagine that Coppola has regrets about releasing it. The first and third stories are so much stronger.

The third story is directed by Woody Allen (Annie Hall, Manhattan, Hannah and Her Sisters, Vicky Christina Barcelona and many more). It is called Oedipus Wrecks since it involves a son's relationship with his mother. Woody plays a 50 year old lawyer at a Manhattan firm. He is often criticized and embarrassed by his demanding mother. He tells a therapist about a dream. His mother is in a coffin and Woody is driving the hearse. Still, she is telling him how to drive. He wishes she would disappear and quit bothering him. In the film, Woody is dating Mia Farrow. They take his mother to a magic show. The magician takes her on stage for a trick. He puts her in a box and puts swords through the box. Woody watches from the audience with a sense of glee. The magician then opens the box and she is gone. He does not know where she went. Her disappearing permanently is not part of the trick. Larry David has a small role backstage as the theatre manager. Woody's mother is missing for a week and he tells his therapist he feels great. One day, Sheldon's (Allen's) mother appears in the sky over Manhattan as an apparition. Everyone can see her and she tells Sheldon what to do, embarrassing him as always. She even takes out baby pictures of him to show everyone. The mother, Sadie, tells Sheldon to not get married. She is even interviewed on the news and the press also hounds Sheldon. He wants to kill himself he is so tormented. The therapist recommends a psychic, Treva, played by Julie Kavner (voice of Marge Simpson). Woody gets discouraged with the psychic's antics. He thinks she is a fraud. She makes him dinner and he finds that he likes her. Lisa (Mia Farrow) leaves a note for Sheldon, saying she is leaving him. Sheldon goes back to Treva, gets engaged and introduces her to his mother. She likes her, and says she will come down. The motherly apparition disappears from the sky and she sits on Sheldon's couch. The story ends with the mother showing Sheldon's baby pictures to Treva.

This was a good showcase for 3 legendary directors to strut their stuff. 2 out of 3 of them were successful.

The Career of Comedy Icon Woody Allen

In his 74 years, Woody Allen has had an amazing, varied career which any artist would envy. He is more than just a film director. He has written many of his best films, as well as books, (Without Feathers, Side Effects and Getting Even), plays and he has written for television dating back to the 1950s. He wrote for Sid Caesar, Ed Sullivan, The Tonight Show and Candid Camera. In the 1960s he worked as a stand up comedian. In 1966, Allen made his directorial debut with What's Up Tiger Lily. Starting with 1969's Take the Money and Run, Woody started an amazing string of comedic triumphs. The period between 1969 and 1979 included his most acclaimed fims. The 1980s saw some moody, melodramatic films which pay tribute to Allen's hero, Swedish director Ingmar Bergman. Woody's films are not $200 million dollar blockbusters full of special effects, but he does have loyal followers, especially overseas in France and Spain. The city of Oviedo, Spain, erected a life size statue of Woody in 2002. Post-2000, he has shot many of his films in Europe, a change of pace since most of his are shot in his beloved New York. He has been nominated for Academy Awards 21 times and he has won 3. He has a large following in New York City and the surrounding areas. His films often deal with the same issues of intellectuals, psychological challenges, Jewish life, and sexuality.

Here are some of his most significant films;

1969--- Take the Money and Run--- A slapstick screwball comedy about an incompetent bank robber. I think this was one of his funniest movies.

1971--- Bananas--- A wacky comedy in which Woody plays a Castro-style revolutionary.

1972--- Play it Again Sam--- Allen was the writer and actor in this, but he did not direct it. This was shot in San Francisco, which is unusual for a Woody Allen film. Woody is a neurotic man who wants to be smooth with women like his hero, Humphrey Bogart.

1972--- Everything You Always Wanted to Know about Sex (But Were Afraid to Ask)--- This was broken into several sections, each dealing with different sexual topics.

1973--- Sleeper--- Woody's look into the future.

1977--- Annie Hall--- Woody co-starred with Diane Keaton, and this was his most acclaimed, best known work. This is a landmark film in the genre of romantic comedies. It won 4 Oscars, including best picture, best actress, best director and best screenplay. It featured Christopher Walken, Tony Roberts, Carol Kane, Paul Simon, Jeff Goldblum and Sigourney Weaver.

1978--- Interiors--- I loved this, but many did not since it was so moody and a complete departure from Annie Hall. It was Allen's homage to Ingmar Bergman.

1979--- Manhattan--- Other than Annie Hall, Manhattan is Woody's most popular film. It is a black and white love letter to New York City. It is well known for its soundtrack by George Gershwin, especially Rhapsody in Blue over the opening sequences. The irony is that this film foreshadowed a romantic relationship which would shock the world. In the movie Woody played a 42 year old comedy writer dating a 17 year old high school student. He would be criticized later for marrying his wife Mia Farrow's adopted daughter, Soon-Yi Previn. Manhattan featured Mariel Hemingway, Diane Keaton, and Meryl Streep.

1980--- Stardust Memories--- The ironic thing about this movie is that Woody plays a film director who has people coming up to him saying they prefer his "earlier, funnier films". Along with The Purple Rose of Cairo, Allen considers this one of his best films. This was also shot in black and white, reminiscent of the films of Fellini.

1983--- Zelig--- This was a mockumentary about an insecure man who is a human chameleon that morphs into whoever surrounds him in an attempt to be accepted.

1986--- Hannah and Her Sisters--- This is one of my favorites and it starred Mia Farrow, Michael Caine, Barbara Hershey and Dianne Weist. This film dealt with family strife and infidelity. These themes seemed to be more common for Woody's films starting in the 1980s. Grossing just over $40 million, it is one of Woody's biggest financial hits. It was praised heartily by critic Roger Ebert.

1987--- September--- This film along with 1988's Another Woman and 1992's Shadows and Fog and Husbands and Wives, was a very moody and dark film, perhaps tied to the turbulence in Allen's life. These films are polar opposites of his early screwball films like Bananas or Sleeper.

1989--- New York Stories--- This was broke up into three sections, each directed by an iconic director. The first section was directed by Martin Scorsese, the middle directed by Francis Ford Coppola and the final is directed by Woody Allen. Woody's portion deals with his relationship with his mother who wants him to meet a nice Jewish girl and settle down.

1995--- Mighty Aphrodite--- This film earned Allen plenty of attention since its star Mira Sorvino won the Oscar for best supporting actress. She also won many other awards for her role such as a Golden Globe, and a BAFTA award (British Academy of Film and Television Awards).

1996--- Everyone Says I Love You--- This was Woody's first musical and it starred Julia Roberts, Drew Barrymore, Alan Alda, Goldie Hawn and Natalie Portman. Roger Ebert called it his favorite of Woody's films. It was set in New York, Paris and Venice.

1997--- Wild Man Blues--- I enjoyed this very much since it was a documentary about a side of Woody Allen we do not see. It chronicles his tour overseas playing clarinet with a jazz band. This film shows how much Allen is idolized in Europe. It is unique to see since Allen is such a private man and in this film we are able to see him unguarded, not hiding behind a character. He has played with his jazz band for over 25 years. They perform in Manhattan regularly.

2005--- Match Point--- This was a dramatic thriller starring Jonathan Rhys Meyers and Scarlett Johansson. Two things that make this significant is that is was a big hit at the bos office and Woody was satified with how the picture turned out. He said Match Point "arguably may be the best film I've made." Its worldwide gross was $85 million.

2008--- Vicky Cristina Barcelona--- This was shot in Spain, marking Woody's fourth consecutive film shot outside the US. It was successful, taking in $96 million worldwide. Penelope Cruz won many awards for this, including an Oscar.

2009--- Whatever Works--- I liked this since it featured Larry David (Curb Your Enthusiasm), as a Woody Allen type of character who is a neurotic older man dating a younger woman.

I think it is amazing how Woody Allen has had such a varied, lengthy career, and he has been prolific as a writer-director for films over the past 40 years. He makes films by his own standards and does not aim for the lowest common denominator, as so may films do these days. He may not make blockbusters like Steven Spielberg or George Lucas, but he makes thought provoking films that are appreciated by those who like to be challenged intellectually. I think he is one of the most under appreciated artists working in the genre of film. To people who have not seen his work, I would recommend Annie Hall, Manhattan, Hannah and Her Sisters, New York Stories and Everyone Says I Love You.

* Some information from en.wikipedia.org.