Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts
Tuesday, June 18, 2024
The Midnight Special
This show was taped at NBC Burbank, down the hall from Johnny Carson. The executive producer was Burt Sugarman. Producers were Dick Ebersol and Stan Harris.
It aired as a special in 1972 and started its weekly run in 1973.
90 minutes, 1:00 am to 2:30 am, Friday nights.
At that point, stations would sign off after 1 am. Sugarman wanted to attract the 18-33 age bracket audience. There was another reason to have programming after 1:00 am. As of 1971, tobacco ads on network TV were prohibited, so that led to lost revenue that the networks wanted to earn back.
Once the time slot became popular, NBC added Tomorrow with Tom Snyder to air Monday through Thursday from 1:00 am to 2:30 am.
Wolfman Jack was the announcer and he hosted from 1973-81 for 109 episodes. There was a different guest host each week.
The show featured performances by some of the biggest popular music acts of the day. They were taped in front of a live audience. The performers sang live, with no lip-syncing.
In 1981 when the show was cancelled, it was replaced by the sketch comedy show SCTV.
In 1983, in the dawn of the MTV era, the time slot was taken over by Friday Night Videos.
Performers on the show included: Electric Light Orchestra (seven appearances, more than any other band), David Bowie, Tina Turner, The Bee Gees, Paul McCartney, Blondie, Ray Charles, Dolly Parton, Chuck Berry, BB King, Earth, Wind and Fire, Steely Dan, Michael Jackson, Steve Miller Band, The Doobie Brothers, Supertramp, Prince and many more.
Comics that appeared included: Steve Martin, David Brenner, Andy Kaufman, Richard Pryor, George Carlin, George Burns, Bill Cosby, Carol Burnett, Richard Belzer, Joan Rivers, Jonathan Winters and more.
This show was created by Burt Sugarman, who was a friend of Johnny Carson. In the 6/4/24 episode of Mark Malkoff’s “Inside Late Night” podcast, Sugarman talks about how Johnny promoted the show since he knew it would attract younger viewers to his show. Sugarman and Carson would play tennis together.
From 1975 to 1980, Sugarman was married to Carol Wayne, who worked with Johnny Carson as his “Tea Time Lady” in the Art Fern sketches.
Since 1989 he has been married to Mary Hart, host of Entertainment Tonight from 1981 to 2011.
The You Tube page for this show has lots of fascinating videos. The quality of the performances was top notch, especially for fans of that era’s music.
*Some information from imdb and Wikipedia.
Saturday, July 22, 2017
Tommy Dorsey: Jazz Superstar
Tommy Dorsey had a brief life, but during those years he accomplished a lot in the world of jazz. He was born in 1905 and died in 1956, at the age of 51. Tommy and his brother Jimmy were both successful jazz band leaders. The two brothers performed together often, until a falling out in 1935. The two did not speak to each other for many years. By 1953, the Dorsey Brothers took on television projects, including working with Jackie Gleason.
Over the years, many legendary performers were part of Dorsey's band, including Glenn Miller, Frank Sinatra (1940-1942), Nelson Riddle, Doc Severinsen, Louie Bellson, Buddy Rich and more. It was said that Frank Sinatra learned breath control after watching Dorsey's technique on the trombone. Between 1941 and 1951, Tommy Dorsey and his Orchestra appeared in ten films. He had an incredible amount of Billboard hits, numbering 286, with 17 number one hits in the 1930s and 1940s. Dorsey was known as a perfectionist with a short temper. He would "steal" performers that he liked from other bands and put them in his own. He was married three times.
A prime example of a Tommy Dorsey big band classic can be seen here. The song "Well Git It" was a showcase for Dorsey's collection of talented performers. The song had a drum solo, a clarinet solo, a solo featuring dueling pianos and alternating trumpet solos. The vitality of this music made it exciting and contagious for listeners. Buddy Rich performed this song on The Tonight Show Starring Johnny Carson, with Doc Severinsen and the band.
*Information from https://en.wikipedia.org/wiki/Tommy_Dorsey and https://www.biography.com/people/tommy-dorsey-9277676.
Tuesday, July 18, 2017
Entertainment's Renaissance Man: Quincy Jones
We have all heard the phrase "Jack of all trades, master of none." Many times that is true. People should focus on being great at one thing. But, there are some people who are exceptions to the rule. Quincy Jones is just such a person. The versatility of his talents is staggering. Few have achieved more in the world of entertainment, with excellence achieved in many disciplines.
Quincy is best known for his musical talents. In 1953 at age 20, he toured with jazz great Lionel Hampton as a trumpet player, pianist and arranger. He arranged music for some of the biggest names in entertainment, including Ray Charles, Count Basie, Duke Ellington and even Frank Sinatra. His ear for music led him to produce some groundbreaking songs such as the 1985 charity song We are the World. He produced albums for Michael Jackson including Off the Wall (1979), Thriller (1982) and Bad (1987).
He was the founder of Vibe magazine and he had his own TV production company which produced Mad TV, The Fresh Prince of Bel Air and others. He was the co-producer of the film The Color Purple. He won a Tony Award for the Broadway revival of that production.
Jones has been awarded ten honorary doctorate degrees. He is only one of 17 people to have won an Emmy, a Grammy an Oscar and a Tony Award. As a matter of fact, he has won 27 Grammys! At age 84 he is still tacking new challenges as a producer for various projects. In 2001 he released his autobiography. Always one to keep up with the latest technology, he launched his own podcast in 2007.
Here is a clip of the 2001 Kennedy Center Honors. Jones was recognized for his work, where he was treated by a performance that brought together Stevie Wonder and Ray Charles.
Jones' net worth is an estimated $400 million.
* Information from quincyjones.com and celebritynetworth.com
Sunday, September 13, 2015
Woody Allen's Musical
In 1996, Woody Allen released his film called Everyone Says I Love You. It is his only musical that he has made to date. The actors were not told that it was a musical until after signing their contracts. The title comes from a song in the 1932 film by the Marx Brothers called Horse Feathers. Woody is a fan of Groucho and his brothers, and there are references to them multiple times in the film. At one point there is a party where the guests wear Groucho eyebrows and mustaches and carry fake cigars.
The cast is truly star-studded. For this film, Woody Allen signed Alan Alda, Goldie Hawn, Drew Barrymore, Edward Norton, Julia Roberts and more. Many actors want to work with Allen due to his long career as a master writer/director and actor. He is admired by many for his work and creative vision. The total budget for the film was just $20 million, peanuts by Hollywood standards. The cast must have worked for a lower salary than they are accostomed to with this modest budget. One young star in the film was a 15 year old Natalie Portman. At this point, this was just her fifth film. She had already worked with Robert DeNiro and Al Pacino in Heat. The same year that Everyone Says I Love You was released, her film Beautiful Girls hit theatres. That was another impressive cast, starring the likes of Matt Dillon, Timothy Hutton, Rosie O'Donnell, Uma Thurman and Michael Rappaport.
There is a reason that this movie felt like an old school Fred Astaire style musical from the golden days of Hollywood. Many of the songs date from the Depression era, if not earlier. A few of them include these.
Just You, Just Me-1929
Everyone Says I Love You-1932
My Baby Just Cares for Me-1930
I'm Through with Love-1931
Cuddle Up a Little Closer-1908
Music has always played a key role in Allen's work. Many of his films have a classic jazz soundtrack. For his film Manhattan, the music of George Gershwin was featured extensively. He used Rhapsody in Blue for his opening credit sequence which featured black and white scenes of Manhattan, wrapping up with an unforgettable fireworks scene. Everyone Says I Love You is filled with gorgeous songs. Some are toe-tappers and some are slow and thoughtful, but it is masterful the way they are intertwined within the storyline. The movie features singing and dancing scenes, and all actors performed their own singing with the exception of one, Drew Barrymore.
The story is peppered with scenes of melancholy and mirth. It is a family story, about upper class New Yorkers who struggle with relationships. Woody Allen's character falls for Julia Roberts' character. Drew Barrymore has ups and downs in her romantic life. Some scenes in the film were shot overseas, in Paris and Venice. This was a departure for Allen since it was his first film in over 20 years to be shot outside New York. But, in his future work, Allen would shoot many films in Europe.
Woody Allen's personal life has been tabloid fodder for years. I certainly do not endorse the choices he has made. He is an odd fellow but a brilliant artist nonetheless. This film is one of his best, up there with Annie Hall, Manhattan, Hannah and Her Sisters and more. It is a light, feel good movie with songs that you will find yourself humming. Check it out, especially if you enjoy musicals.
* Some information from imdb.com.
Friday, July 24, 2015
At the Copa...
When I recently read the book "Dean and Me: A Love Story" by Jerry Lewis, I noticed that spoke highly of their days performing at New York's Copacabana Club. Between 1946 and 1956, no one was bigger in show business than Jerry Lewis and Dean Martin. Their final performance together was at the club in 1956.
In May of 1964, Sammy Davis Jr. broke all attendance records at the club.
The club opened in 1940 in Manhattan, at 10 East 60th Street. Although his name was not on the lease, a partner in the club was powerful mob boss Frank Costello. It remained at the 60th Street location for over 50 years. In 1992, it moved to 57th Street. In 2001, it moved to 34th Street. Since 2011, the Copa has been located in Times Square on 47th Street.
The 1978 song "Copacabana" by Barry Manilow reignited interest in the club. A 1947 film of the same name starred Groucho Marx and Carmen Miranda. It has been a setting for many well known more recent films, such as Good Fellas, Raging Bull, The Purple Rose of Cairo and Carlito's Way.
Many famous recordings were taped there such as "Sam Cooke at the Copa" and "The Supremes at the Copa".
*Some information from en.wikipedia.org.
Friday, July 03, 2015
Deconstructing Sammy: Music, Money, Madness and the Mob
A book's title is an important tool to attract the interest of potential readers. But, when a title is deceptive, readers feel slighted. That is how I felt after reading Matt Birkbeck's book "Deconstructing Sammy: Music, Money, Madness and the Mob". I have always had an interest in the mega stars that were members of the legendary bunch of entertainers known as The Rat Pack. The group included Frank Sinatra, Dean Martin, Sammy Davis Jr., Joey Bishop and Peter Lawford.
I expected this book to be all about the life and times of Sammy Davis Jr. I knew that he was a man of many talents, famous for his singing, dancing, acting, his impressions and his overall charisma. I had assumed that the book would tell behind-the-scenes stories about his many experiences in television, film, recording albums and performing all over the world. There is so much that could be covered about a life such as his.
Instead it was a book primarily about his financial indiscretions and how he left his family to clean up the mess he left behind after his death in 1990. Sammy made a lot of money, estimated to be $50 million over his career in show biz. But he also spent a lot, through his gambling, substance abuse, his divorces and his lavish lifestyle. He was known for his extensive collection of jewelry, his fancy homes and cars. He invested in some ill-advised business deals that ended up costing him millions. So, the book was largely about how his wife Altovise Davis tried to figure out how to repay Sammy's enormous debts to the IRS, which totalled $10 million. Everything was liquidated and it still was not enough.
Sammy wrote 2 books about his life himself, one called "Yes I Can" and one called "Why Me?" So, hopefully those will be more up my alley, with plenty of show biz stories.
For a much better book about old school entertainers, check out "Dean and Me: A Love Story" by Jerry Lewis. That book is filled with fascinating stories about Jerry and his deep friendship with Dean Martin. I would also recommend the book "Johnny Carson" by his longtime lawyer/manager/friend Henry Bushkin.
Saturday, June 20, 2015
Bria Skonberg: A New, Vibrant Addition to the World of Jazz
Music festivals are a perfect way to discover new talent. A few years ago I noticed the contagious, unique and exciting sound of the Southern Rock group that opened for the legendary Lynyrd Skynyrd at Lansing's Common Ground Festival. The group was Blackberry Smoke and I have been a fan ever since.
The musical genre of jazz is appreciated by small numbers of fans in North America. This music is much more popular in Europe or Asia. The good thing about this is that North Americans can attend jazz festivals and performances for a low price.
This past weekend I attended the Summer Solstice Jazz Festival in East Lansing, Michigan. Admission is free and one can enjoy 2 days of excellent jazz performances. As the home of Michigan State University, this town has developed into an area that attracts some top-notch jazz artists. One key factor for this is the school's jazz department, and their impressive faculty. The jazz faculty at MSU is comprised of seasoned veterans who have appeared with some of the top performers at some of the world's most hallowed venues. Due to their connections, they are able to attract the biggest names in jazz to work as artists-in-residence and clinicians at the university. Find out more about them here.
I had heard about a trumpet player performing at the festival. As a brass player myself, I decided to take in her show. Trumpet player/singer/songwriter Bria Skonberg took the stage with her band at the Summer Solstice Jazz Festival and captivated the crowd. Her versatility is what was impressive. With the appearance of a Nordic supermodel and a bubbly, playful personality to match, she turns heads. However, it is her old-school way of singing mixed with her confident trumpet playing that makes for a Big Easy gumbo that is a feast for the ears. She has an appreciation for the past, but yet keeps a foot in the present as well. She has mentioned Louis Armstrong and Anita O'Day as 2 of her influences. Hailing originally from British Columbia, Canada she has lived in the Big Apple since 2010. At age 31, she has appeared at over 50 jazz festivals around the globe.
The Wall Street Journal exclaimed the she is "poised to be one of the most versatile and imposing musicians of her generation." She plays New Orleans jazz like the Louis Armstrong disciple that has made her unique. She is an award-winning artist who has been lauded by DownBeat magazine. She played with filmmaker/clarinet player Woody Allen in his Dixieland jazz band at the Carlyle Hotel in New York City.
Her albums include "Fresh", "So is the Day" and "Into your Own". She put her own interpretation on the 1996 pop single "Lovefool" by The Cardigans. She performs the classic "Come On A-My House" with a style that matches the original by Rosemary Clooney. She performs some of her singles such as "Won't You Come Out and Play" and "Wear and Tear" with a sense of mischief and whimsy that will captivate anyone who appreciates the work of a fine artist. She takes a standard like "Tea for Two" and transforms it into a piece that sports a contemporary flair.
She is a fan of standup comedy, and sees the similarity between the struggle of a comic and that of a jazz musician. She is working on putting the routines of the legendary George Carlin to music.
Here's what one critic said of this impressive new artist.
“Bria Skonberg’s new CD is like a breath of fresh air in a stuffy room…She has a voice that is pure and almost little girl in quality except on bluesey items where she displays some of the authority of Dinah Washington…This is a totally fun album and very contagious. There is never a dull moment…most of all there is the bright, inquisitive talents and spirit of Bria Skonberg who promises to be a mighty musical force.”
- Marcia Hillman, New York Jazz Record
Samples of her music, You Tube links, photos and other press materials can be found here.
*Some information from http://jwpjazz.com/bria_skonberg.html, http://centrum.org/2013/03/bria-skonberg-working-hard-and-staying-humble/ and Lansing City Pulse from June 17, 2015.
Sunday, June 14, 2015
Sammy Davis Jr.---Short in Stature, but a Showbiz Giant
A few days ago I watched the David Letterman 5th year anniversary show from 1987. This was Dave's NBC 12:35 am show that followed Johnny Carson. One of his guests was Sammy Davis Jr. I realized that this was only 3 years prior to Sammy's death, but he looked and sounded as good as ever.
Sammy Davis Jr. packed a lot of living into his too short 64 years on earth. At age 4, in 1929, he started performing with his father, Sammy Davis Sr. and his adopted uncle Will Mastin. They would travel to Vaudeville theatres and little Sam learned the ropes of how to be a performer. In 1933, at age 8, he acted in 2 short films, Rufus Jones for President and Seasoned Greetings. Due to being on the road as a kid, he never had formal education.
In 1954 he was involved in a car accident that caused him to lose one of his eyes. He wore an eye patch for awhile but then decided to have a glass eye implanted. At this time he converted to Judaism.
He developed into a multi-talented powerhouse who could sing, dance, act and play the drums. He had a lot of talent and personality packed into a 5'5" frame. He was a member of the showbiz fraternity known as The Rat Pack with fellow stars Frank Sinatra, Dean Martin, Peter Lawford and Joey Bishop.
During his stint in the military and afterwards, Davis fought against the closed minded racists that he came across. He once heard someone complaining about discrimination, and he said, "You got it easy. I'm a short, ugly, one-eyed, black Jew. What do you think it's like for me?"
He had many hits as a singer including The Candy Man, which was a #1 hit, Mr. Bojangles, I've Gotta Be Me, What Kind of Fool Am I, and many others. He acted in many films, some with the Rat Pack guys and some without. He appeared in Ocean's Eleven (the Rat Pack version, long before the George Clooney film), Robin and His Seven Hoods, Cannonball Run, and his final film, Tap. In his final movie he starred with another renowned tap dancer, Gregory Hines.
Like his fellow Rat Pack member Frank Sinatra, there were rumors of Davis Jr.'s ties to the mob. But, in the early days of showbiz, the mob had ownership of many of the nation's largest entertainment venues. So, entertainers could not help but have affiliations with the world of organized crime. Jerry Lewis wrote about this in his book "Dean and Me: A Love Story". Martin and Lewis were regulars at New York's Copacabana, owned by mobsters.
Davis made a lot of money over the years, but also lost a lot. He was notorious for being a Las Vegas high roller. When he died in 1990, he was deep in debt to the IRS. It was said that he earned $50 million over his lifetime but died with debts totalling $10 million. After his death, his family liquidated his estate and his last wife lived in poverty (Altovise Davis). According to an NPR interview with a Davis biographer, Sammy was a fantastic performer, but a rotten parent. He was distant with his kids and after his death there was considerable turmoil in his family battling over his possessions.
He was married 3 times and he had 4 children. Michael Jackson said that he idolized Davis for his massive talent. He was a regular on the Jerry Lewis telethon. Davis was a star of Broadway, film, TV and live performances. He appeared in a memorable episode of All in the Family where he kissed bigot Archie Bunker on the cheek just as their photo was being taken. He also appeared with Sherman Hemsley in The Jeffersons. His other TV appearances included: The Cosby Show, Batman, Laugh-In, One Life to Live, General Hospital and The Patty Duke Show. He died of throat cancer in 1990. He died on the same day as Muppets creator Jim Henson.
Some material from imdb.com.
Tuesday, April 01, 2014
The Career of Jazz Artist Jack Sheldon
Generation X people will no doubt remember the Saturday morning "Schoolhouse Rock" animated segments from the 1970's. Two of the most popular cartoons were "Conjunction Junction" and "I'm Just a Bill". The voice on those was provided by Jack Sheldon. He has voiced spoofs of those characters for "The Simpsons" and "Family Guy". He is also the voice of the character Louie the Lightning Bug. Many may not know about the life of Sheldon, who is much more than just the "Schoolhouse Rock" guy. He is a respected jazz trumpet player/singer. At 82 years old, he lives in the Hollywood Hills and still performs in jazz clubs as a singer/trumpet player. He was Merv Griffin's sidekick/trumpet player for his long running daytime talk show.
Sheldon has dabbled in the world of acting, appearing as the star of the 1966 TV show "Run Buddy Run". He also appeared in the 1976 film "Freaky Friday". He was in the 1991 film "For the Boys" with Bette Midler and James Caan. He had roles in legendary TV series such as "Adam 12", "Petticoat Junction" and "Dragnet".
He has played trumpet on many TV soundtracks such as "Moonlighting", "The Munsters" and "In the Heat of the Night". He played trumpet on many film soundtracks including "Breakfast at Tiffany's".
In 2008 a documentary was released about his life called "Trying to Get Good: The Jazz Odyssey of Jack Sheldon". The film talked about his struggles with substance abuse and his turbulent life. It featured appearances by Billy Crystal, Clint Eastwood, Dom DeLuise and Sheldon's former boss, Merv Griffin.
He suffered a stroke in 2011 and needed to learn to play his trumpet with his left hand. Read about his return to performing in November of 2013 here.
Some information from www.imdb.com.
Monday, March 31, 2014
Sierra Boggess: The New Queen of Broadway
Sierra Boggess is an amazing talent who is taking Broadway by storm. Her Broadway credits include playing Ariel in "The Little Mermaid", Christine in "Phantom of the Opera" and Fantine in "Les Miserables". She has also appeared in "Master Class" and the Phantom sequel, "Love Never Dies". She has received high acclaim for her portrayal in Phantom, following in the footsteps of actresses who have played the role in the past such as Sarah Brightman and Emmy Rossum. Andrew Lloyd Webber himself called her the best Christine. Check out her rendition of "Think of Me" from Phantom here. She has an angelic voice with a lyrical purity that is seldom found today. Her voice has a strength behind it, yet she can sound delicate at the same time. This is how the voice should be used as an instrument. She was perfectly cast to play Ariel in "The Little Mermaid" since the tone of her voice is perfect for a Disney production. Sierra is engaged to her former co-star from "Love Never Dies".
Starting May 12, Boggess will star in "Phantom of the Opera" on Broadway in the Majestic Theatre with Norm Lewis. This will be a landmark moment since Lewis will be the first African-American to play the Phantom in the Broadway production. Find out more here. Fans of musical theatre can expect a bright future ahead for the incredibly talented Sierra Boggess.
Friday, March 28, 2014
Wynton Marsalis Joins the Cast of "60 Minutes"
The CBS news magazine show "60 Minutes" has covered important news stories, dating back to its inception in 1968. TV Guide ranked it as the 6th best TV program in history. The list of correspondents reads like a who's who of broadcast journalism legends; Mike Wallace, Harry Reasoner, Andy Rooney, Ed Bradley, Walter Cronkite and more. In addition to their hard news stories, the program has also profiled giants from the world of entertainment.
This Sunday, tune in for the inaugural story by their new culture correspondent, jazz trumpet virtuoso Wynton Marsalis. He profiles jazz pianist Marcus Roberts. Overcoming the obstacle of going blind at age 5, Roberts studied music at the Florida School for the Deaf and Blind. He now is a jazz professor at Florida State University. Roberts, like Marsalis, has become an authority on the history of jazz. The pair travel back to Roberts' former school to perform for the students. Roberts has an inspirational message to the students. Watch an excerpt here. Marsalis should be a good addition to the show. He has been a tireless cheerleader for the genre of jazz. Growing up in New Orleans, Marsalis is part of a highly musical family, and since the 1980s he has impressed audiences around the world with his performances. He has been a contributor for "CBS Sunday Morning" and PBS jazz specials.
Some information from http://en.wikipedia.org/wiki/60_Minutes.
Labels:
60 Minutes,
CBS,
jazz,
Marcus Roberts,
Music,
TV,
Wynton Marsalis
Sunday, March 16, 2014
The Roth Show
If you're a fan of David Lee Roth and/or Van Halen, check out his You Tube program, The Roth Show. Most shows are 30 -45 minutes and they feature "Diamond Dave" talking about whatever is on his mind. He discusses his formative years growing up in New York and California. He discusses his brief radio career as the replacement for Howard Stern. He talks about Japan, where he has spent a lot of time, and how it differs from the United States. He talks about the making of various Van Halen songs and videos. Dave loves to talk (about himself especially) so this show is not for everyone, but no doubt he has lived an interesting life. He is very proud of his uncle Manny who owns a New York City haven for entertainers, Cafe Wha? When Van Halen released their most recent album a couple years ago, the guys performed in the venue which was popular in the 1960's with beatnik poets, comedians and musicians. Bob Dylan and Neil Diamond performed there early in their careers. Check out the show here.
Friday, February 21, 2014
Frank Zappa: Avant-Garde Musician


Great art is all about taking chances. Some art fails, some art succeeds, but those who take big chances are to be applauded. Avant-garde artists are experimental or innovative, pushing the boundaries of the status quo. Few musical artists have taken chances like Frank Zappa. His music is hard to categorize: jazz, rock, classical, blues, psychedelic, fusion, with a healthy dose of satire and humor thrown in. He only lived for 52 years, from 1940 to 1993, dying from prostate cancer complications. But, during those years he released 62 albums and 35 were released after his death. His first release was "Freak Out!" in 1966. He had 2 gold records in the US during his life, "Over-Nite Sensation" (1973) and "Apostrophe" (1974). His best known singles include "Valley Girl", "Peaches En Regalia" and "Don't Eat the Yellow Snow". He has no formal training in music and attended community college briefly but dropped out. He liked music of all genres, not confining him to narrow choices. Zappa made music on his own terms, doing what pleased him, not looking for mass appeal. Paul McCartney said that Zappa influenced him to make "Sgt. Pepper's Lonely Heart's Club Band". Countless musicians were influenced by Zappa's seemingly endless creativity. Rolling Stone magazine named Zappa as the 71st best artist of all time. The same magazine voted him as the 22nd best guitarist of all time. Guitar Player magazine devoted an issue to him in 1992. Here's a quote from Rolling Stone's Illustrated History of Rock and Roll:
"Frank Zappa was one of the first to try tearing down the barriers between rock, jazz, and classical music. In the late Sixties his Mothers of Invention would slip from Stravinsky's "Petroushka" into The Dovells' "Bristol Stomp" before breaking down into saxophone squeals inspired by Albert Ayler."
In 1985, Zappa gained media attention for his testimony before the US Senate regarding the actions of the PMRC (Parent's Music Resource Center). The PRMC was against music which contained sexual or satanic content. Zappa saw this as the road to censorship, and claimed that musicians have the right to make whatever music they want. The following is an excerpt from Zappa's testimony:
"The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design. It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative. In this context, the PMRC's demands are the equivalent of treating dandruff by decapitation ... The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like. What if the next bunch of Washington wives demands a large yellow "J" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine?"
In 1987, Zappa received a Grammy award for his album "Jazz from Hell". Like many unique artists, Zappa's work was more appreciated in Europe than in the United States. A bust of Zappa's likeness is in Lithuania as well as in Germany. Berlin named a street after him. He was truly a renaissance man, composing, producing, and performing music, directing films and music videos, and designing album covers. In 1995 he was inducted into the Rock and Roll Hall of Fame. He was a political figure, fighting for freedom and the abolition of censorship. Zappa's significant impact in the world of music will always be remembered.
Source: http://en.wikipedia.org/wiki/Frank_zappa
Sunday, July 31, 2011
Music: The Soundtrack of our Lives






Some people limit themselves to only one type of music. I have never understood this. Some only like heavy metal, some only like country or blues. I think that there are outstanding musicians in every genre, so no way would I want to limit myself to just one type of music. Often times one can learn about one type of music by listening to another type that is related. Country fans may get introduced to bluegrass or Southern Rock by way of country artists that may discuss their influences.
Listening to just one kind of music for one's life would be like only eating Italian food, never to taste a burrito or a serving of sweet and sour shrimp. Some are passionate about food, or playing sports, or fishing. For me, music has always been my passion. The only thing that comes close is my interest in film.
In the 1970s, I was introduced to much of my favorite music by way of my 4 older brothers. I looked up to all of them in many ways. I recall some of their 45 rpm records included some by Michael Jackson ("Rockin' Robin"), The Beatles ("Day Tripper"), and Chicago ("Saturday in the Park"). I recall listening to those as well as finding some musicians I liked such as ELO, Barry Manilow (my brothers teased me endlessly about listening to his music), and The Bee Gees. It was the 1970s after all. I recall that one of my first vinyl albums was "Out of the Blue" by Electric Light Orchestra. I was transfixed by the cover art of a spaceship. I think back to the carefree days of listening to "Disco Inferno" by The Tramps while sitting on my bunk bed reading magazines.
The music of the 1980s will always be sentimental to me since those were the years I was in junior high, high school, and most of college. Most people look back on music from those formative years as the best music they have heard since those songs provided the soundtrack for many of the most important happenings in our lives. I will always like Van Halen, Rush, Beastie Boys, Duran Duran and so much of the music from that period. Some of my classmates in high school liked Rush very much so I got into their music as well. I was envious of the kids who witnessed a live concert by Beastie Boys and had the t-shirts to prove it. Back then we had more time to pay attention to music. We did not have the worries that grown ups do such as concerns about our job, finances, or marriage/kids. Music, movies and TV shows of the 1980s will always be important to me. I cannot hear Chicago's "You're the Inspiration" without taking me back to the days of listening to that song over and over on my Sony Walkman cassette player. I would listen to it and think of the girl I had a crush on. "Purple Rain" by Prince and Foreigner's "I Wanna Know What Love Is" will always be bittersweet to me. Those songs were the ones I recall playing at the high school dances after the football and basketball games. In the small town high school cafeteria, those songs would blast through the speakers, and as an adolescent boy there were so many girls I wanted to ask to dance, but seldom had the guts to do so. Nevertheless, those songs make me think of missed opportunities fueled by my feelings of self doubt. One of the best fast songs that was played at the dance was Morris Day and The Time's "The Bird". Thomas Dolby's "She Blinded Me with Science" takes me back to high school the minute I hear it as well as The Bangles' "Walk Like an Egyptian". Michael Jackson's "Thriller" was such a phenomenon during the 1980s. I don't know if I will ever experience another musical artist who possessed his raw talent. In 1988, I was a counselor at Blue Lake Fine Arts Camp and some of my campers were hardcore Led Zeppelin fans, and I became one as well. I can't hear Van Halen's OU812 album without thinking of that fantastic summer.
The music of Beastie Boys led me to appreciate music by Run-DMC, LL Cool J, Public Enemy, The Fat Boys, Kid and Play, Young MC, Tone Loc, and so many more. I recall in 1990-91, that was the time of MC Hammer, Vanilla Ice and 3rd Bass. I still listen to 3rd Bass ("The Gas Face", "Pop Goes the Weasel") a lot, as well as the solo projects put out by members MC Serch and Prime Minister Pete Nice. Around 1992 I began to lose interest in rap since it became all about glamorizing crime, and degrading women. Other than Beastie Boys, I do not follow the rap that is currently being released. Rap in the 1980s was simply about having fun.
The early 1990s saw the rise of hard rock groups like Dangerous Toys, Slaughter and many others I still enjoy. This was a period of decline for the "Hair bands" like Motley Crue, Poison and Cinderella. The grunge period happened and with it we learned about Nirvana, Pearl Jam, Soundgarden, Alice in Chains and others. I like all of these groups, and the movie Singles, written and directed by Cameron Crowe, was all about this period. Some members of the grunge groups had small parts in that film.
In the mid-1990s I discovered country music when I heard "Chattahoochie" by Alan Jackson. I became a fan of his as well as Travis Tritt, Garth Brooks, Sammy Kershaw, Tim McGraw, Faith Hill, Martina McBride, and so many more. Travis Tritt became my favorite country artist who I have seen perform 5 times, and through him I learned of his love for Southern Rock such as Lynyrd Skynyrd, Allman Brothers, Charlie Daniels and the like. Travis also greatly was influenced by the country outlaws like Willie Nelson, Waylon Jennings, and Hank Williams Jr. My love of country music led me to not only discover Southern Rock, but bluegrass as well.
I think it was 1997 where the world embraced ska music by artists like Mighty Mighty Bosstones, Reel Big Fish, and No Doubt. I had enjoyed the ska of the group Madness in the 1980s but never explored the genre much until the late 1990s. I came to really enjoy the fun, upbeat music that has horns and often a tongue-in-cheek attitude. 1998 saw the rise of big band music like Big Bad Voodoo Daddy, Brian Setzer Orchestra, and Squirrel Nut Zippers. Big band music was nothing new, but these groups brought back the sound that was popular when my parents were growing up in the 1930s and 1940s. Being a "band geek" and a fan of horns, I enjoyed it. I also have always had great admiration for the group Chicago and their amazing horn section.
The 1990s and into the 2000s saw the rise of alternative rock like Rage Against the Machine, Audioslave, System of a Down, Disturbed, and others. Depending on my mood sometimes I like the aggression and intensity of this music, also some heavy metal bands like Pantera, Megadeth, Metallica, and Stuck Mojo. Music like that can provide great motivation if one is exercising. This period of the 1990s and into the 2000s also saw the rise of punk bands like Blink 182, Green Day and Good Charlotte and I like their music a lot.
At around age 35, in 2005, I started to lose interest in much of the music that was being played on the radio. I delved deeper into classic rock of the 1970s and 1980s. I think that most people eventually lose interest in current music.
One day I might feel like listening to lots of Lynyrd Skynyrd and Allman Brothers. The next day it may be lots of ska like Mighty Mighty Bosstones and Reel Big Fish. Some days it's all country like Travis Tritt and Sammy Kershaw. Maybe I feel like lots of Buddy Rich or Harry Connick Jr. Anyway, there are many "flavors" of music out there. Don't limit yourself to just one, try them all. There's only 2 types of music, good and bad.
Labels:
Bluegrass,
Country,
Hair Bands,
Hard Rock,
Heavy Metal,
jazz,
Music,
ska
Friday, June 24, 2011
Film Analysis: Cameron Crowe's Almost Famous





Now and then I like to take one of my favorite films and write an extensive blog entry where I dissect the movie. One of my favorite writer/director filmmakers has to be Cameron Crowe. His works include Say Anything, Singles, Jerry Maguire, Elizabethtown and Vanilla Sky. Also, he wrote the book that became the film Fast Times at Ridgemont High. His films are not blockbusters that make hundreds of millions of dollars. They are not filled with explosions or special effects. They are works of art which have the story as the focus of the film. Crowe is a music lover, and rock music often plays a significant role in his films. Almost Famous and Singles are the two of his films which have music featured prominently. The top photo above shows writer/director Cameron Crowe with his Academy Award. Picture #2 shows Philip Seymour Hoffman as the Creem magazine writer Lester Bangs. Picture #3 shows rock journalist William Miller (Patrick Fugit) and "band aid" Penny Lane (Kate Hudson) backstage watching the band Stillwater perform. Picture #4 has the band Stillwater and various cast members in front of the tour bus. The bottom picture is the official poster for Almost Famous.
Almost Famous was released in 2000, and was hailed by critics as outstanding. Roger Ebert called it the best film of the year. 88% of the critics liked it according to rottentomatoes.com. Entertainment Weekly magazine gave it a grade of A+. The film won two Golden Globe awards, one for best picture and one for best supporting actress, Kate Hudson. It received four Oscar nominations and Cameron Crowe won for best screenplay. In 2001, the Almost Famous soundtrack won a Grammy. The movie was filled with outstanding music, mostly from the 1970s. The soundtrack had songs by Simon and Garfunkel, The Who, Black Sabbath, The Allman Brothers, Elton John and many more. The average music budget for a film is $1.5 million. The music budget for Almost Famous was $3.5 million.
Key characters in Almost Famous;
Patrick Fugit--- William Miller (main character, rock journalist)
Frances McDormand--- Elaine (William's mom)
Zooey Deschanel--- Anita (William's sister)
Philip Seymour Hoffman--- Lester Bangs (writer for Creem magazine)
Kate Hudson--- Penny Lane (one of the "band aids")
Billy Crudup--- Russell Hammond (guitarist for Stillwater)
Jason Lee--- Jeff Bebe (lead singer for Stillwater)
Budget: $60 million
Box office gross: $47.3 million
This film is semi-autobiographical since the lead character tours with rock bands in the 1970s, and Cameron Crowe did the same thing. Crowe was a writer for Rolling Stone as a teenager and he wrote articles about bands with which he toured such as Led Zeppelin and Allman Brothers. The best critic's quote I have read regarding Crowe's films was from Entertainment Weekly magazine; "Every Cameron Crowe film is in one way or another, about romance, rock and roll, and his romance with rock and roll." On the bonus footage of the DVD, Crowe said "The goal was to write a love letter back to music." He also said "Music is usually more profound than anything the actors will say." Crowe felt that Almost Famous was a work that was important to him and he said "I'm getting stuff said on film that matters to me." The movie had been brewing in Crowe's mind for many years before it got made. He wrote the songs performed by the band Stillwater with his wife Nancy Wilson of the group Heart.
Almost Famous starts with shots of San Diego at Christmas time, 1969, after the hand written credits. William Miller's mom is overprotective of her son and daughter. She tells her son to stay away from rock and roll since she thinks that many rock and roll performers are "on pot." William's sister leaves home to start a new life as a stewardess. She tells her little brother "Look under your bed--it'll set you free." She had left vinyl albums by performers such as The Beach Boys, The Who, Led Zeppelin, Jimi Hendrix, and more. There is a note with the albums that says "Listen to Tommy with a candle burning and you will see your entire future."
Skip to 1973, and William reads the rock and roll magazine Creem. He idolizes the rock writer, Lester Bangs. He meets Bangs outside a radio station and gets the advice to not make friends with the rock stars. Rock writers hang out with rock stars to make them feel cool. Miller gets hired to cover Black Sabbath at a San Diego concert. He cannot get in to interview them, but he meets Penny Lane, who is a groupie, or as she calls it, a "band aid". William gets a chance to interview the opening band Stillwater and he watches them perform from backstage. Penny tells William "If you ever get lonely, go to the record store and visit all your friends."
William and Penny go to Los Angeles to meet up with Stillwater at the Hyatt House hotel, called the Riot House. Rolling Stone calls William and they want him to tour with Stilwater and write about them. They do not realize how young he is, he is only 15. The Stillwater tour bus says "Almost Famous Tour '73."
Next stop on the tour is Tempe Arizona. Stillwater says to William "Just make us look cool." Russell gets electrocuted when he grabs a mic on stage and the band flees the venue, not finishing the show and angering the manager of the facility.
In Topeka Kansas, Stillwater gets their band t-shirts and a fight ensues when the shirts feature Russell the guitar player not the lead singer. Russell and William go to a party and Russell gets high on acid and jumps off a roof into a pool. He screams "I am a golden god" which was supposedly said by Robert Plant of Led Zeppelin. As the leave Topeka they sing Elton John's Tiny Dancer. When I see this scene I get chills down my spine. William says "I need to go home." Penny says "You are home." The band and their followers have a sense of camaraderie. Penny struggles with real life and sees the life on the road as a way to escape from her issues.
In Cleveland, the band meets a new manager played by Jimmy Fallon. He will have them tour by plane, not bus.
In Boston, the band loses the right to have the "band aids" travel with them in a card game. The girls will be given to the band Humble Pie for $50 and a case of beer.
In New York, William finds out he has the cover story. Penny Lane is in New York and she is sad since she loves Russell but he does not love her back. She overdoses on Quaaludes and almost dies. The band has a rough plane ride on the way to Tupelo, Mississippi, perhaps an homage to the Lynyrd Skynyrd plane crash? When the band thinks the plane will crash, they confess their secrets.
Back in San Francisco at the Rolling Stone headquarters, the magazine wonders how they can put together a story from Williams' notes. They find out how young he is. Rolling Stone loves the article but Stillwater says the facts are fabricated. Later they say to go ahead and publish it. Stillwater embarks on the "No more airplanes tour '74." Rolling Stone prints the cover story and Penny follows her dream of going to Morocco.
I love the movie since music and movies are the two things in my life that have brought me the most enjoyment. Cameron Crowe's films speak to me on a personal level. I thought the key people in the movie that were outstanding included Patrick Fugit, Kate Hudson (her best film in my opinion, it all went downhill for her after this), and Billy Crudup. The fictional band was great, thanks to Peter Frampton, who was a technical advisor who helped the actors to look authentic on stage.
*Some material for this article from imdb.com, en.wikipedia.org, and the Almost Famous DVD bonus footage.
Wednesday, May 11, 2011
VH1 Classic's That Metal Show


This show is a must see for all fans of hard rock and heavy metal. It has been on VH1 Classic on Saturday nights for seven seasons. TV seasons on cable are short, only 8-10 episodes per season with 2 seasons per year. That Metal Show first aired in November of 2008 and started as a 30 minute show. In season six, it expanded to an hour. The first four seasons were shot in New York, then starting with season five, they switched to Los Angeles for the tapings. Guests on the show have included many of the greats from the world of popular music such as Geddy Lee, Alex Lifeson, Ace Frehley, Duff McKagan, Ronnie James Dio, Rob Halford, and many more.
That Metal Show's main host is Eddie Trunk, who is a veteran of the music industry, and New York radio and TV. Trunk was born in New Jersey in 1964 and he once was vice president of Megaforce Records, the label that signed bands like Metallica and Anthrax. He also worked as an executive producer for various hard rock and metal bands. Currently he hosts a radio show for Q104.3 in New York and he has a show on XM radio's Boneyard channel. Also, he is the music host and interviewer for MSG TV network in New York. He is an unabashed fan of Kiss and Bon Jovi, often ranting about how it is a crime that Kiss is not in the Rock and Roll Hall of Fame. He recently wrote a book called "Eddie Trunk's Essential Hard Rock and Heavy Metal".
The show is co-hosted by two stand up comedians who are also metal mavens like Trunk. Jim Florentine (from Comedy Central's Crank Yankers) and Don Jamieson inject some humor into the show.
That Metal Show has some staples of the show that are included in the program each week. Stump the Trunk is a segment where Eddie Trunk shows off his knowledge of music trivia. Audience members ask him questions and if he cannot answer the question, then the audience member gets a prize. Each week they do a top 5 list where each of the 3 hosts put in their 2 cents on a certain topic and they come up with the quintessential list. For instance a topic might be top 5 drummers in the world of heavy metal/hard rock. The Throwdown is a segment where each week they take 2 minutes to discuss a certain topic. It might be something like-who is the best grunge era band, Nirvana, Alice in Chains or Soundgarden? The show has a guitar player who will play a few licks as they go to commercial, so that is cool to see who they will get to do the show.
I like this show a lot since there is nothing on TV like it. I am a fan of many of the bands they discuss such as Megadeth, Van Halen, Rush, Metallica, Motley Crue, Ratt, and more. Eddie Trunk is so passionate about music, and it is interesting to hear the guests talk about behind the scenes aspects of the music industry.
*Some material from en.wikipedia.org.
Monday, November 29, 2010
Billy Joel: Piano Man



Billy Joel grew up on Long Island New York, the son of an immigrant who was an accomplished classical music pianist. Billy had more of an interest in rock and roll, which his father did not like. Billy's brother is a classical music conductor in Europe. He dropped out of high school and had dreams of becoming a recording star like his idols, The Beatles. He played in a piano bar in Los Angeles, which led to the hit Piano Man in 1973. Billy teamed up with producer Phil Ramone and ended up having an amazing career which has spanned over 4 decades. He has had 33 top 40 hits, all which he wrote himself. He has sold over 150 million albums worldwide. The show I saw on the Biography channel mentioned how he has had many ups and downs in his personal life. He had a manager who took advantage of him financially, leaving him with no option other than to tour extensively over a 2 year period to get on better ground financially. He has had struggles with substance abuse, and has been divorced 3 times, most notably from model Christie Brinkley. Joel was a boxer as a young man and his aggression and fighting attitude can sometimes be seen in his music. He has toured with another pianist/rock and roll legend, Elton John. In 1987 Joel performed a groundbreaking concert in Russia at the height of the cold war. Billy's albums 52nd Street, Glass Houses, Storm Front and River of Dreams all hit #1 in the US. I admire Billy Joel very much for his staying power and his mark he has made on the world of popular music. My favorite songs of his include; Piano Man, Movin' Out, New York State of Mind, Big Shot, You May be Right, My Life, Pressure, and many more.
* Some information from Biography channel and en.wikipedia.org
Barry Manilow: I Write the Songs


I recently watched a Biography channel profile of Barry Manilow and thought I'd write a bit about this performer. Barry never planned on being a singer. He wanted to be a piano player in the background, not the star. He accompanied Bette Midler, and made money writing commercial jingles early in his career in New York City. He would also arrange music for performers such as Midler and Dionne Warwick. Before he had hit singles he would perform the commercial jingles that he wrote just so the audience would recognize something. He met Arista records chief and music mogul Clive Davis who thought he could make Barry a star. Manilow became known for his ballads such as Can't Smile without You, I Write the Songs, Could it be Magic and Mandy. From 1974 to 1980 he had hit after hit. He tired eventually of all the touring and singing these ballads. He started performing an up tempo fun song called Copacabana, and it became a big hit. He has been praised by Frank Sinatra and Bob Dylan. After 30 years of touring to bring his show to the people, Barry decided to sign a contract with a Las Vegas hotel so that the people could come to him. He has branched out by releasing albums that pay tribute to the music of the 1950, 1960s, 1970s and 1980s. He has also recorded big band type music, Christmas albums and a tribute to the greatest love songs of all time.
* Some information from Biography channel and en.wikipedia.org.
Saturday, October 02, 2010
Book Review: "We'll be here for the Rest of our Lives" by Paul Shaffer


I greatly enjoyed this book since I have been a longtime fan of musician Paul Shaffer. He has been the keyboardist and band leader for David Letterman since 1982. He and Dave did the late night show at NBC from 1982 to 1993, and have been at CBS ever since. I admire Paul's musical talents, and it is obvious he has a sense of humor and a certain Las Vegas charm to him.
The book talks about his upbringing in snowy Thunder Bay, Ontario, Canada. It tells about how he moved to Toronto where he met up with some other talented, funny Canadians like Martin Short and Eugene Levy. Paul worked in musical theatre in Canada for awhile and eventually moved to New York City and got a gig playing keyboards for Saturday Night Live. He was noticed by David Letterman who was starting his own show and he wanted a musical director who could play well, but also have a sense of humor.
The book is filled with interesting anecdotes from Paul's life working with some of the biggest stars in show business. He drops a lot of names, but if I had his life I would too.
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